Showing posts with label teacher. Show all posts
Showing posts with label teacher. Show all posts

5/22/2012

Dominique Falla: designer, artist (english version)

Dominique Falla is very busy. She does all most everything: Typography, Web Design, Drawing, Painting, Digital Design, Project Management, Teaching, Writing.... Dominique works in a variety of tactile mediums and combines digital creation with analogue output for exhibition and publication. 
She completed her Bachelor of Art, in Graphic Design, and her Masters of Design. She is now undertaking a Doctorate of Visual Arts (DVA) at Griffith University.  Her doctoral research investigates Tactile Typography, for sure she love type! In 2010, Dominique founded the "We Heart" Collective, in which a group of designer/artists collaborate on group exhibitions with shared common themes. She is also a participating designer/artist in the Flat White Spaces project. Now she is a Creative Director, and she evolve on the Design Convener at Griffith University, and contribute to Desktop Magazine online. She just create Postcards from Rome. 

 
.When creating graphics, what do you feel is the most important aspect: Planning, design or implementation... And why?
With my pieces, planning is very important. I can't really change my mind once something is started so for me the planning is VERY important. Obviously the implementation is what most people get to see, so I would say both of them equally.

.What was your favoite project ?
They are all my favourite project when I start and then I hate them all when I'm doing them and then at the end I either love them or hate them still. It's a very passionate relationship I have with my pieces.

.Where do you go for inspiration? 
I write morning pages every morning in my note book. 3 A4 pages of writing and this taps into my subconscious, which helps me generate ideas. 

.Who is your favourite designer? 
I like anyone who uses unusual materials, so Marian Bantjes and Stefan Sagmeister are the two designers most people would know.

.What are the key things that are essential with typography?
Kerning and letter spacing is the most important. Typeface selection, weight and balance is also important. Matching the personality of the typeface with what the message is saying can help to reinforce the message. A balance of legibility and readability.

.What is the number one thing you would like to tell to new designers?
Do something you love and keep working on personal projects. Submit work for competitions, blogs, build online folios, build your social networks, and keep making new work. If you wait for a client to tell you what to do, you will be very depressed very quickly.

Her new project: Postcards from Rome. 
www.postcardsfromromeproject.com I am fund-raising for a typography workshop in Rome (Italy) and people can participate by requesting I make a postcard artwork for them before May 25. This is run by the School of Visual Arts in New York and one of my typography heroes, Lousie Fili is going to be there. Yay!

11/23/2011

Julien Gachadoat: technology, processing, design (english version)


Julien Gachadoat specialized himself in Processing creation. He is the founder of the multimedia design studio 2Roqs. I met him at the master class Paris Processing, in La Fonderie de L'Image, (he was one of the trainers with Christian Delecluse and German Hartmut Bohnacker.)
For beginners, processing is a simplified open source programming language, created by Casey Reas and Benjamin Fry, two American artists. This technique built for the electronic arts and visual design communities. The software runs on Mac, PC and Linux, it’s based on Java. The software is free to download, and a database is accessible to all on different sites.

. What are your influences?
One of my main influences was the art of Demomaking early 90’s .This subculture push me to discover and create animations with computer code. Otherwise I was influenced by graffiti, in general now, I am interested in graphic design and particularly typography.

. Can you tell us your goals in your creation
The studio creations try to mix: public participation, simple usability, and meaning. We pursue our series of typographical installations initiated with Gravity in 2009, using real-time texting from cell phones.